The appearance of the digital and social networks increases the number of protagonists in the television and cinematographic scenes. Stages and sets are populated by those who can interact with content, comment and critique. A global and multi-channel audience that becomes a community and survives beyond the duration of transmissions, such as in the case of the Gomorra series, to blur the fictional plane with that of reality. What is behind the ” likes economics”, daily rituals for social media users? How free are the social networks communities? Reflections, irony and experiences, from the loves of Tinder to the Malammore of Gomorra and up to the abysses of the social media.
Gomorra
Between fiction, reality and augmented reality, the vertigo of evil witnessed close up
Fri 07 18:20 - 19:00
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